Soundtrack: Reminiscence. His unusual approach to trombone playing had both a technical and a stylistic component. Performer: JACK TEAGARDEN And His Orchestra; Jack Teagarden Writer: Victor Young; Joseph Young; Ned Washington Fox Trot ; Vocal Chorus by. 2023 Jack Teagarden - All Rights Reserved. The Teagarden brothers (Jack and trumpeter Charlie) are generally considered the only interesting jazzmen to have been part of it, and yet Jack also felt a little out of the limelight. The group traveled to Europe in the postwar achieving great success. Teagarden seems strangely uncomfortable without his trombone in hand and at least a rhythm section nearby to back him up. I guess thats the only time.. But the cymbalom chap did manage to pick the books he wanted to bind, and the first tome he put back into reading condition was a treatise on the sliphorn. Jazz critic Martin Williams recently flipped in print over a solo passage Teagarden played on a concert recording made well over ten years ago. All rights reserved. The notes in any harmonic series are much closer together in the upper part of the series. That alone is well worth a chest full of medals. NEW ORLEANS, Jan. 15 (AP) Jack Teagarden, the jazz trombonist and singer, died today in a New Orleans motel. Articles from Britannica Encyclopedias for elementary and high school students. Therefore he has to take something shorter than the original, and make it complete in itself yet not so final that what follows his solo will sound like padding. Early in 1964 Teagarden cut short a performance in New Orleans because of ill health. In the upper register, notes in any position are closer together, and many notes can be played in more than one position. Teagarden became ill in Japan, and returned after the tour a very weak and very sick man. The reunion at the Monterey Jazz Festival, with his brother Charlie, sister Norma, and even his mother, who played a few ragtime piano solos, is considered to be a celebration of the life of a great jazz musician. Weldon Leo "Jack" Teagarden was an American jazz trombonist and singer. It is in the favor of jazz fans of all schools. Teagarden proved helpful within the Southwest in a number of territory rings (especially using the renowned pianist Peck Kelley) and caused a feeling when he found NY in 1928. Our weekly newsletter highlights our top stories and includes a local jazz events calendar. During this period, he was involved in a large number of recordings, with Pollacks orchestra, with other groups, and leading his own sessions. Tell us why you would like to improve the Jack Teagarden musician page. Teagarden is one of them. The trip covered a grueling eighteen weeks and as many countries. His style remained the same, even though more and more seams crossed his round, open face. For instance, Jack and crew jammed with the King of Cambodia who as clarinetist had jammed with his idol, Benny Goodman, when Benny had toured that area few years earlier. Fort Lauderdale civic activist Vernajean Atwell, stepdaughter of noted trombonist Jack Teagarden plays with her adopted dogs. His technique was almost entirely selftaught; until he was 14, his parents kept him isolated from other musicians and even from other children interested in music. Pee Wee introduced us. The two musical geniuses, whose mutual admiration knew no bounds, play those horns united in soul and sound. Turned Pro as a Teen " You Couldn ' t Keep Jack Out of Harlem " Selected discography. Among the vintage giants of jazz, Jack port Teagarden had not been only the very best pre-bop trombonist (taking part in his instrument using the simple a trumpeter) but one of the better jazz performers too. First time I ever heard Jack Teagarden blow that big sliphorn was like maybe [2], He died in New Orleans at the age of 58, suffering from pneumonia.[1]. There is a select inner circle whose musicianship has defied the censorship of shifting fashions, and through a special sort of genius created for themselves a vast, impressive symbol synonymous with their name and art. Finally, a straight forward look at Jacks life as seen by The Handbook of Texas Online. Cut off from the developing edge of jazz, it had no real influence and produced few recordings of note. The following year the family moved to Oklahoma City. "name" : "Jack Teagarden", At the Playboy Jazz Festival, Jack introduced the trumpet player in his group, a fine young musician, Don Goldie, and recalled to the huge audience that Goldies father had played in a Teagarden band many years ago. Albums include Pop Music: The Early Years 1890-1950, Mis'ry and the Blues, and The Golden Years. Always an innovator, Teagarden made history by removing the body of his horn and, using only his slide and mouthpiece, played an empty water glass stuck on the end of the tubing. I love that big lug and I just want him to save some of his money!. Jack said, When I blow a big noise out of that old horn, then I feel peaceful. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. Fine, we said. The authors favorite Teagarden chorus (and everyone who professes a liking for jazz must have at least one favorite Teagarden chorus) is the one Jack plays on Jack Hits the Road, recorded for Columbia some twenty years ago, In it, Teagarden neatly demonstrates the things to come on his instrument. One of the classic giants of jazz, Jack Teagarden was not only the top pre-bop trombonist (playing his instrument with the ease of a trumpeter) but one of the best jazz singers too. The Scotch is the same in all these places., Jack sighed, You dont understand. The Fort Lauderdale daughter of jazz trombonist Jack Teagarden recreates the glory days of jazz in the life story or her legendary father. After drifting across the Southwest, he eventually arrived in New York City in 1927 and made his recording debut. What he heardhelped shape his style. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60. In what the documentary calls one of the most important jazz recordings ever made, Teagarden and Armstrong ignored the advice of friends in 1929 and joined together to makeKnockin A Jug. He was 58 years old and had reportedly been suffering from pneumonia. Teagarden was born in Vernon, Texas, United States. Well, I was hurt. Using alternate positions and an embouchure that was apparently extremely flexible (meaning he could change the pitch of a note using only small changes in his lips, mouth, and face muscles), Teagarden could play in the way that appealed to him. Mother Helen was a ragtime pianist. He did some playing and recording with other groups at this time, most notably with his brother Charlie and saxophonist Frankie Trumbauer as the Three Ts. Atwell was only a child then, traveling with the band when she could. In the Pollack band, in particular, he worked with some of the most famous jazzmen of the time, including Benny Goodman, Bud Freeman and Jimmy McPartland. A short digression into the mechanics of trombone playing will explain why. Jack Teagarden. His creative instinct is unerring, rhythmically and harmonic- ally, and is creatively superb. Teagarden, quite a ladies man, married the first of four wives, and wrote to her prophetically from the road: I have been drinking a terrible lot but I am going to quit.. The world of jazz, like any part of show business, suffers as much from public fickleness as does, say, the bumbling lyrics of a Presley or Fabian (although one approaches art, the other embraces the soul of rockn roll). From 1947 to 1951 he toured with the Louis His nickname was Little T. Born in Vernon, Texas, Teagarden worked locally in Oklahoma before he and Jack joined Ben Pollack's Orchestra in 1929. His is an open face, with character, rather than age or weariness or boredom etched into it. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1. In a voice segment spliced into the documentary, Teagarden says black bandleader Fletcher Henderson and musician Fats Waller befriended him in New York, and took me places I dont think any other white boy had ever been., From there his career soared. We had one drink and Jack dumped that one down his throat before the bartender could reach for the soda. Mr. Teagarden was generally regarded as one of the masters of the jazz trombone. Tall, gangling, his horn wrapped in newspaper, Teagarden asked for an audition. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1920s territory and New York jazz scenes to shortly before his death in 1964. I went to the kitchen to say hello. Weldon Leo " Jack " Teagarden (August 20, 1905 - January 15, 1964) was an American jazz trombonist and singer. There have been times when Teagarden didnt need a rhythm section. Jazz fans are noted for their fanatical devotion to one jazz movement to the exclusion of all others. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. In 1933, after a brief stint in Mal Halletts band, he signed on with Paul Whitemans orchestra for five years. Mr. Teagarden was christened Weldon John, but he was known to jazz fans as Jack or or Big Gate or Big T (to distinguish him from his brother, Charlie, a trumpeter, who was known as Little T). Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. Teagarden made his first trip to New York in 1926 as a performer on the eastern tour of Doc Rosss Jazz Bandits. In 1964, while playing the Dream Room in New Orleans, he succumbed to pneumonia, brought on by a lifetime of too much booze, too many cigarettes and too many one-night stands. But their music, and their lifelong friendship, rose above the bigotry. So the traditional trombone stylists specialized in playing simpler accompaniment parts featuring cute special effects like glissandos. See the article in its original context from. Many of his best records were made with Red Nichols. Many critics believe that Teagardens best years were over when he left Armstrong in 1951 to form his own group. No accompanist, just neat. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. Desperate to keep afloat, the group played too many gigs at which they were expected to have a sweet, popular sound. Teagardens style is also often described using words such as lyrical, vocal, legato, relaxed, fluent and smooth. Teagarden left Pollack in 1933, and signed a five-year contract with Paul Whitemans orchestra. An insurance agent and former Doberman breeder for 30 years, Atwell now trains abused dogs. He wouldnt be Jack Teagarden if it came out any other way. Whats the big rush? He left Armstrong and formed the Jack Teagarden All Stars Dixieland band in 1951. Jack Teagarden began playing piano at age five, took up baritone at age seven or eight, and had settled on trombone by age ten. Teagarden particularly made some noteworthy contributions while working at this time with Eddie Condon. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Jack said, Lets get out of here. T, Big T (to brother Charlies Little T), Jackson, Gate, and Big Gate (again, Charlie was Little Gate), Jack Teagarden was by all accounts a big, easy- going, friendly man, well-liked throughout his career by his fellow musicians. It is well known, that he was rarely content to let his nights work end when the band trouped off the stand, but would always be ready for some after-hour sessions. It isnt only that I like to sing, but people come to the stand, wanting me to sing, but people come to the stand, wanting me to sing particular tunes. Eddie Shields, the circulation driver who writes songs, phoned the minute he read about Jack. Updated April 25, 2019 - Doug Ramsey. Jack Teagarden, Soundtrack: Reminiscence. You can help Wikipedia by expanding it. Jack Teagarden. Weldon Leo (Jack) Teagarden, jazz musician, known also as Jackson T., Mr. T, and Big Gate, was born in Vernon, Texas, on August 20, 1905, to Charles and Helen (Geinger) Teagarden. Save my name, email, and website in this browser for the next time I comment. Collier says he was the leading, and virtually the only, white male singer in jazz. Yanow lists him with Louis Armstrong and Bing Crosby (who was a friend and was apparently influenced by Teagardens style) as the most important male vocalists of the early 1930s. Schuller calls him a remarkable and wholy unique singer, undoubtedly the best and only true jazz singer next to Billie Holiday, Cab Calloway, and Louis Armstrong (whom he, unlike dozens of others did not imitate).. Although has received no medals in this country yet; he has achieved a place of distinction in jazz shared by very few other musicians. As a subscriber, you have 10 gift articles to give each month. I gotta keep moving., So we grabbed a taxi and rode over to a shoddy little cabaret. but Norma, a pianist, and Cubby, a drummer, have retired. He performed with Eddie Condon, Bix BeideIbecke, Paul Whiteman, the Dorsey brothers, Bob Crosby, Eddie Lang, Peck Kelley, and others. Atwell participated in a documentary of Teagardens life and plans to create a Web site and write a book about him. For several years, however, Jack continued to play with local groups. He was identified with such tunes as I Gotta Right to Sing the Blues, St. Teagarden has appeared in movies, has sung on the air and on TV, and has recorded actually thousands of sides. he is survived by his widow, Adeline; three sons; a daughter; his mother; brother Cubby, and a sister, Norma. His tombstone reads simply, Where there is hatred, let me sow love, Courtesy of the Miami Herald, e-mail:sreisinger@herald.com Sorry! Two sons from his marriage, Jack Jr. and Gilbert became musicians. When Jack was in Cambodia, the jazz-loving, clarinet-playing king of that country presented the trombonist with a medal for meritorious service to the arts. Tonight she blew into town and she is gonna haunt me until I come up with a mink!, I said, Jack, nobody could catch up to us now. A very interesting documentary about Jack Teagarden. He was just downing the dregs of it when the door of the dive opened and in burst a very cute little blond. Trains, hotels and restaurants often refused them service unless they split up. His health grew worse and he suffered recurring bouts of flu and pneumonia. A real wonderful guy to be around, but when he played his horn, he really played it.. He was Jack Teagarden, from Texas, and looked it. Born in Vernon, Texas, on Aug. 20, 1905, he started on the trombone at the age of 7. What he did that day with a trombone became part of the living legend of Teagarden, a feat that replaced the amused smiles with a deep respect that has been felt since by nearly every jazz buff who ever heard Teagarden jamming his special kind of music. He died in a motel room only hours after playing his last set from a chair because he was too weak to stand. And they had a rule: if one side couldnt eat, then the other side didnt eat.. Trombone player Jack Teagarden, pictured in 1930, created a sensation in New York when he arrived from Texas. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style . The next year he went to New York on his own. With abuse heaped upon him, Teagarden became the first white musician to travel on the road with an all-black band. Jacks fluency on the trombone has continued to amaze everyone. And beyond that, Jack had been a loner ever since he blew the scene down Texas way at 15 and went out to try the taste of the world. If I Could Be with You (One Hour To-night) Jack Teagarden and His Orchestra. And as he drove along another car hit him from the rear. Jack Teagarden was a famous jazz trombone player. He had been playing baritone and trombone for nine years in his school band when at age 16 he walked into the club where Peck Kelley, the pianist, was rehearsing his band. My Jack Teagarden Research at the IJS. First is a delightful biographic sketch of Jack Teagarden written for the January, 1960 issue of International Musician Magazine. Teagarden? She nodded. After departing Armstrong, Teagarden was a head of a progressively working sextet through the entire remainder of his profession, playing Dixieland with such talented music artists as sibling Charlie, trumpeters Jimmy McPartland, Don Goldie, Potential Kaminsky, and (throughout a 1957 Western european tour) pianist Earl Hines. He joined the Peck Kelly band in 1921, when he was sixteen years old, and hasnt been off the scene since. All the music I've played has finally paid off, he said. His former wife had taken all the spirit out of him when she sued for divorce and got custody of the restaurant which supported him and his cymbalom. The placards urge patrons to write their con gressman protesting the tax which has hurt the means of livelihood of many musicians and entertainers. Charlie Teagarden (July 19, 1913 - December 10, 1984), known as 'Smokey Joe', was an American jazz trumpeter. Teagarden became the first white musician to travel on the road with an all-black band. I feel that I did some good for America.. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style influenced several other important jazz singers, and he is widely regarded as the one of the greatest, and possibly the greatest, trombonist in the history of jazz. He led his own band (193947), played with Louis Armstrong (194751), and re-formed his band (195157). Weldon Leo "Jack" Teagarden (August 20, 1905 - January 15, 1964) was an American jazz trombonist and singer. While shaking his head in amazement at the creative prowess of the trombonist, Williams also delineated some of the mans superb talent. He was 58 years old and had reportedly been suffering from pneumonia. He briefly visited a hospital then was found dead in his room at the Prince Monti Motel in New Orleans on January 15. At this point, he was also the grand old man of the instrument, well-respected both by traditionalists and (unlike many other traditionalist players) also by the more modern generation of trombonists. Looks like we don't have trademarks information. My cymbalom player was truly a fine artist but he did not protest his ignoble reduction to book binding. performed in the Paul Whiteman Orchestra in the 1930s, then performed Jack Teagardens playing style was lyrical and seemingly effortless. In 1961 he and Addie bought a house on the Intracoastal Waterway in Pompano Beach, where they lived with son, Joe. Sorry! Such a man is Jack Teagarden, in the New Orleans vanguard when Dixieland was in its heyday, and after thirty years still its most enthusiastic and gifted exponent. Born Weldon Lee Teagarden or Weldon John Teagarden (more sources say Weldon Lee, but John makes more sense considering his nickname), Jacks earliest performances were working with his mother Helen, who played ragtime piano, in theaters. Unfortunately, he had neither the dominant personality nor the business smarts to be a good bandleader, and by the end of that year he was already $46,000 in debt. The masterful Teagarden was an American original whose style and vocals epitomized authenticity both in their execution and sound. Anyone can read what you share. One of the surest signs of this newfound responsibility (or perhaps only a reinstated dignity) was Teagardens tour of the Orient, under the auspices of the U. S. State Department. It is difficult to realize that Teagarden is, after all, largely a self-taught musician. Teagarden was born in 1905 in Vernon, Texas. The reaction to his unique style of trombone- playing appears to have been both immediate and widespread. Later the same year (1921) Teagarden joined Peck Kelleys Bad Boys in Houston. About 1923 he briefly attempted to enter the oilfield business in Wichita Falls but soon gave up the venture and returned to music. He took up the baritone horn for a time but switched to trombone when he was seven. Show less, One Night Only! Mr. Teagarden was responsible, in the late twenties, for an addition to jazz folklore. Weldon Leo (Jack) Teagarden, jazz musician, known also as Jackson T., Mr. T, and Big Gate, was born in Vernon, Texas, on August 20, 1905, to Charles and Helen (Geinger) Teagarden. Hes that kind of person genuine-and unashamedly sentimental. Structural Info Facts Pictures Filmography Known for movies It is believed to be the first recording of a racially mixed band in U.S. history. Visiting band leader Paul Whiteman heard the group there and offered Teagarden a position in his New York orchestra. 78_somebody-loves-me_eddie-condon-and-his-orchestra-jack-teagarden-bobby-hackett-billy_gbia0195458b Location USA Scanner Internet Archive Python library 1.9.0 Scanningcenter George Blood, L.P. Wednesday they found Jack in a New Orleans hotel room, cold and dead. He told endless stories about a Texas piano player named Peck Kelley, and although almost no one else in jazz ever heard him play, Mr. Kelley became a legend. He and his mother played duets (trombone and piano) as background to the silent films at a Vemon theater. I asked, Do your really want a fur coat that much?, She stared and then she laughed bitterly. He has a disposition as easy-going as the languid phrases he blows so often, and as sunny as the warm grin which cracks his face into scores of merry wrinkles. Sep. 8, 2021. He performed with Eddie Condon, Bix Beiderbecke, Paul Whiteman, Jimmy Dorsey, Tommy Dorsey, Bob Crosby, Eddie Lang, and many others. The effect is a stifled, plaintive sound which makes the instrument sound even more like a blues singer. Weldon Leo "Jack" Teagarden (August 20, 1905 January 15, 1964)[1] was an American jazz trombonist and singer. While the legal issues are being sorted, the documentary, calledTime for T, has been shown only at jazz festivals and has not been released to the public. Reset your passwordClick the eye to show your password. "@type": "Person", I said, Mrs. New Orleans-style trombonists tended to play in the lower range of the instrument, where it is simply impossible to change notes as quickly as a trumpet or clarinet does; entire arms cant move as fast as a single finger. Its a relatively simple blues chorus, but is constructed nimbly and, for the time, is pretty far out. They walked offstage and into the kitchen. I found this short bio at Ancestry: Born in 1905 in Vernon, Texas, Jack Teagarden was an influential jazz trombonist and singer, regarded as the "Father of Jazz Trombone." His musical abilities were largely self-taught and for that reason, unrestricted. And Jack had another drink which he poured down pronto. He had 14 side men in his band and the band fronted a stage show you could get in to see for 85 cents if you had 85 cents, which not many people did. All four Teagarden children became prominent musicians. His singing is wry and gutty, and, again, has a naturally lazy sound. something many trombonists emulated. Musical Family. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Louis Armstrong and Jack Teagarden, between 1938 and 1948 Teagarden played professionally from age 14. Louis Armstrong, Benny Goodman, Red Nichols and Eddie Condon. Historians and critics widely agree: No one disputes Jack Teagardens place in the trombone pantheon(Morgenstern, 2004, p.292). by Clarence Williams Blue Five. His first public performances were in movie theaters, where he accompanied his mother, a pianist. At sixteen Teagarden first played the trombone professionally, at a concert near San Antonio as a member of Cotton Baileys dance and jazz band. She became a fighter for integration in Broward in the 60s, and active in civic affairs. Pollack's recordings were Teagarden's first. He sang like he played, one observer said, in a smooth, sleepy Texas drawl. Atwell, divorced and mother of four children, moved from California to join them. Sources " Jack Teagarden was one of those rare jazz musicians who seems to have emerged into the world whole, so completely adapted to his instrument that it sometimes appeared he and the trombone had been invented at the same time and had grown up . He was an inventor, redesigning mouthpieces, mutes, and water valves Instead, he played higher in the instruments range, using mostly the first and second positions, and rarely moving beyond fourth position. Lets go, he urged. Its theme was his old favorite, I Gotta Right to Sing the Blues.. And Jack was blowing his big horn around a shattered segment of the old Keith vaudeville circuit. He was such a fine musician that younger brother Charlie (an excellent trumpeter) was always overshadowed. One of the most remarkably consistent performers in jazz history, Jack Teagarden never played less than flawlessly and, when in the right company, frequently set standards for creativity and instrumental brilliance that to this day remain beyond the grasp of most. His recordings of I Gotta Right to Sing the Blues, Texas Tea Party, A Hundred Years from Today(all 1933), Stars Fell on Alabama(1934), I Hope Gabriel Likes My Music (1936), and Nobody Knows the Trouble Ive Seen may be considered his best vocal offerings. Four stylii were used to transfer this record. He teamed up with Louis Armstrongs All-Stars for some classic recordings in the late 1940s and formed the Jack Teagarden All Stars Dixieland band in 1951. Miller and Teagarden collaborated to provide lyrics and a verse to Spencer Williams' "Basin Street Blues", which in that amended form became one of the numbers that Teagarden played until the end of his days. The fact that the 56-year-old singer-musician has survived the chameleon-like disposition of the public is largely due to the tremendous impact of his personalitystrong-jawed, smiling, and graciously charming. But my friends in the band didnt come over and say hello. Teagarden was married first to Ora Binyon in San Angelo, Texas, in 1923; they had two sons before they were divorced. But perhaps the best introduction to Teagarden at his most brilliantly melodic, Williams wrote, Is a solo on Pennies from Heaven that he played with Louis Armstrong at a concert at New Yorks Town Hall (RCA Victor, LPM 1443). He died only a few months later of pneumonia, at the age of fifty eight, in New Orleans. Charlie is still active with a band in Las Vegas. In segregated America, their friends feared it would damage the two mens careers. Was a member of "Louis Armstrong and his All-Stars.". singer, charming and warm, with influences from the African American This is a jazz music websitespammers will be deleted. Though he was extremely shy, he talked freely with her. Teagarden later recorded with many of Americas jazz greats including Red Nichols, Benny Goodman, and Louis Armstrong. He made his first recording in 1927 as a member of the Kentucky Grasshoppers, an offshoot of Pollacks group. The song earned $22,000, Eddie swears, and Jack wouldnt take a dime. small band for the most of his career. Looks like we don't have salary information. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". But they could not keep him from sitting on a fence near his home and listening to theNegroes singing in a church next door. Isham Jones and His Orchestra - Vocal Refrain by Eddie Stone. Digitized at 78 revolutions per minute. The fact that jazz personalities share with Broadway, Hollywood, etc., a dependence upon the momentary enchantment of mass-minded America is an irony in itself, although perhaps one of the lesser ironies. His voice is midway between a heavy drawl and an outright yawn. Jack started on piano at age five (his mother Helen was a . 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